The opportunity to exhibit artwork in Zurich once again was a delight to see and experience. In a joint effort between myself and fellow artist Alexis Reynaud, we both brought visual variety to Gallery Box, a new gallery space in Zurich that opened last year by Thomas Sarbach, a painter and artist as well. It was Thomas, the one who made the introduction of Alexis to me and suggested that we group together for this show. Initially, I had concerns that my work alone was not enough to do a show successfully at his gallery, given the large space of the venue.
The original idea was to have an exhibition of my Pulsation painting only and some of my more intellectually stimulating graphite drawings to accompany the show. I would leave my Asian male photography out of the show. As things transpired over the months, Thomas was keen to see my Asian male images included as part of the exhibition, seeing as how Alexis was keen to show some of his nude photography work too. Thus, in the last weeks prior to the opening, there was a rush to get photographs printed and framed.
Alexis Reynaud included male and female nudes painted in black and covered with a high gloss finish/sheen, resulting in a high contrast black to white erotic images. Shot using sharp lighting (most likely a strobe), it was a foil to my images, where softness and slightly blurred images appear. The feelings from each of our works are similar, but one thing remained clear: the desire to create beauty using the human body as the vehicle for expression.
As for our paintings, my work is abstract, taking influence from Jackson Pollock’s action paintings, but at a much smaller scale and with a more stylised control of brushwork. Alexis however took the Samurai as his subject matter, creating a highly energised set of paintings using only a selective colour palette of red, blue, yellow, and the neutral colours of black and white for his works. Sweeping expansive strokes compared to my smaller controlled ones. The common thread to our work was clear: the desire for self-expression through the use of the brush, and not so much about attempting to create something real. Yes, Alexis’s work is more figurative, but to me, the essence is in the expressive brushworks, and if viewed more closely, abstraction.
What is fascinating for me is the desire for both myself and Alexis to take on the medium of painting and photography as a modes of expression, to which Thomas, the curator, found intriguing. The title Two Worlds One Mind is entirely appropriate. Speaking for myself, I took to painting as far back as 1999, when my first studio collaboration/partnership began with Meli-Melo Artist Alliance. Painting spoke to me in ways that was different than photography. It was in fact more tactile and real than photography. With painting, there was a purposeful engagement with the brush, canvas, the mixing of colours, and the application of medium to surface, a process that is entirely unique and special.
Just before the Pulsation series began, I had reached a mini plateau, and I was ready to move my work in a different direction. And then it happened: the Orlando shooting where over 50 people were shot dead in a gay bar. That incident brought forth feelings, which I then translated into the artwork.
The exhibition for me is important, as it is the first time for me showing my paintings abroad/overseas. I owe a huge THANK YOU to all that came to the exhibition opening, and of course to Thomas Sarbach and Alexis for their support and generosity during my time there.
By appointment only: